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SOUTH KOREAN FILM INDUSTRY & TOP BEST KOREAN FILMS One salient feature over the past decade has been the increasing success of Korean films on the screens, where they have proved capable of attracting new spectators - a phenomenon similar to that witnessed in some European countries, according to what emerged during MEDIA Salles' Focus on Europe event at Cinema Expo International 2002, in Amsterdam. Considering all these points, the following two reflections on the Korean film industry, especially from the 90s up to the present, may be offered to European movie concerns. Increasing market share of Korean movies From 15.9% to 45.2% within 9 years, the Korean film market share increased..Until 1993, the Korean movie had a very small market share, because of its low quality, due to the limited budget for production and the lack of a well-developed system compared to the mighty Hollywood majors, which had been present on the Korean market since 1988. Accordingly, the market share of Korean movies had been steadily decreasing for the above mentioned period, finally dropping to 15% and threatening its very existence. However, in 1999 the film Shiri brought a positive turning. It was the first Korean blockbuster movie, recording around 5 million spectators: it catapulted to the top of the South Korean box office and ended up toppling the record previously held by Titanic. This exceptional event was enough to initiate large-scale fund-raising and the creation of a production system by SEG (Samsung Entertainment Group). Shiri's success, representing the opportunity for the market share to soar to 39.7%, inspired many Korean film-makers and convinced them that Korean productions could be successful if they were based on a good financial support and a selected, quality background. Subsequently other Korean movies, like Joint Security Area and Friend were of great impact in the Korean film market, so that in 2002 the market share settled at 45.2% in terms of admissions and at a higher 46.7% in terms of box office. It should be remembered that, at the end of the nineties, the number of foreign movies released in Korea was six times higher than for domestic movies. Apart from the development of the Korean movie in itself, the spread of multiplexes, mainly belonging to the Orion Group and CJ, and the legislation on the "five-day working week" have tempted the Korean people to visit theatres more during their longer weekends. As a result the Korean film market has continued to expand by 17% to 18% each year and total audiences in 2002 amounted to over 100 million. In addition, major distributors of Hollywood movies, such as Warner Brothers, MGM, and Dreamworks began to obtain the copyright for remakes of several movies that had been big hits on the Korean market. Fox, Walt Disney and other direct-distribution companies also started to take Korean movies on board their global distribution runs. Most recently, Columbia signed a contract on world distribution and investment with a local production company. Large Korean enterprises join the race for film business In the turmoil of the national crisis and IMF aid, most of the funding for the film industry seemed to come to a halt as the major sponsoring companies became involved in corporate restructuring and attempted to do away with unnecessary expenses and investments. Nevertheless, not only small and medium funding but also financial capital were able to replace the void thanks to a series of Korean movie successes and the theatre franchising system for securing stable profits.